Èñïîëíåíèå íà AX-Synth
18
Âûáîð “ñòàíäàðòíûõ” òåìáðîâ
AX-Synth ñîäåðæèò 256 òåìáðîâ, èñïîëüçóþùèõñÿ
â ñîâðåìåííûõ ñèíòåçàòîðàõ Roland, à òàêæå 4
òåìáðà “SuperNATURAL™” è 4 òåìáðà “SPECIAL”.
Èãðà ýòèìè òåìáðàìè îñóùåñòâëÿåòñÿ ñ ïîìîùüþ
49 ÷óâñòâèòåëüíûõ ê ñêîðîñòè íàæàòèÿ êëàâèø
(èëè ïîñðåäñòâîì MIDI).
Ïîñëåäîâàòåëüíûé ïåðåáîð “ñòàí-
äàðòíûõ” òåìáðîâ
Ñòàíäàðòíûå òåìáðû AX-Synth îðãàíèçîâàíû â 8
ãðóïï ïî 32 “âàðèàöèè” (çâóêà) â êàæäîé.
(1) Ïîäêëþ÷èòå AX-Synth ê óñèëèòåëþ (ñòð. 14) è
âêëþ÷èòå åãî ïèòàíèå (ñòð. 17).
(2) Åñëè ãîðèò êíîïêà
[SuperNATURAL÷SPECIAL¥TONE]
,
FAVORITE
[A]
èëè
[B]
, îòêëþ÷èòå åå.
(3) Âûáåðèòå ãðóïïó òåìáðîâ îäíîé èç ñëåäóþùèõ
êíîïîê:
Èìåíà ãðóïï ñòàíäàðòíûõ òåìáðîâ íàíåñåíû íà
ëèöåâóþ ïàíåëü AX-Synth áåëûì öâåòîì. Íàæà-
òàÿ êíîïêà ãðóïïû çàãîðàåòñÿ ñèíèì öâåòîì.
Ïîñëå íàæàòèÿ êíîïêè ãðóïïû AX-Synth àâòîìà-
òè÷åñêè âûáåðåò òåìáð, èñïîëüçîâàâøèéñÿ â
äàííîé ãðóïïå â ïîñëåäíèé ðàç.
(4) Êíîïêàìè VARIATION
[DEC÷–]
/
[INC÷+]
(òàêæå ñ áå-
ëûìè íàäïèñÿìè) âûáåðèòå òåìáð èç ãðóïïû.
Êíîïêîé
[INC÷+]
âûáèðàéòå ïîñëåäóþùèé òåìáð,
êíîïêîé
[DEC÷–]
— ïðåäûäóùèé. Äëÿ ïåðåêëþ÷å-
íèÿ òåìáðîâ ïîñëåäîâàòåëüíî íàæèìàéòå íóæ-
íóþ êíîïêó.
Äèñïëåé îòîáðàæàåò íîìåð âûáðàííîãî òåìáðà
(1 ~ 32).
×òîáû îðãàíèçîâàòü ïåðåáîð òåìáðîâ âûáðàí-
íîé ãðóïïû ìîæíî óäåðæèâàòü êíîïêó
VARIATION
[INC÷+]
èëè
[DEC÷–]
, à äëÿ óñêîðåíèÿ
ïåðåêëþ÷åíèé íàæìèòå è óäåðæèâàéòå “äðóãóþ”
êíîïêó VARIATION.
Äëÿ âûáîðà òåìáðîâ òàêæå ìîæíî èñïîëüçî-
âàòü êíîïêè ãðèôà OCTAVE/VARIATION
[+]
/
[–]
.
Äëÿ ýòîãî èõ òðåáóåòñÿ íàçíà÷èòü íà ôóíêöèþ
“
Uar
”.
(a) Óäåðæèâàÿ
[SHIFT]
, êíîïêàìè OCTAVE/
VARIATION
[+]
èëè
[–]
âûáåðèòå “
Uar
” (ñì. äèñï-
ëåé).
Êíîïêà
[WRITE]
íà÷íåò ìèãàòü.
(b) Ïðîäîëæàÿ óäåðæèâàòü êíîïêó
[SHIFT]
, íàæìèòå
êíîïêó
[WRITE]
äëÿ ïîäòâåðæäåíèÿ âûáîðà.
Ýòà óñòàíîâêà ïðîèçâîäèòñÿ îäèí ðàç: AX-Synth
çàïîìèíàåò åå äî ñëåäóþùåãî èçìåíåíèÿ.
(c) Îòïóñòèòå êíîïêó
[SHIFT]
.
(d) Êíîïêàìè OCTAVE/VARIATION
[+]
/
[–]
âûáèðàéòå
òåìáðû, òàê æå, êàê êíîïêàìè VARIATION
[DEC÷–
]
/
[INC÷+]
.
×èñëîâîé ââîä “ñòàíäàðòíîãî”
òåìáðà
Äëÿ óñêîðåíèÿ âûáîðà ìîæíî íåïîñðåäñòâåííî
çàäàòü íîìåð íóæíîãî òåìáðà:
(1) Ïîäêëþ÷èòå AX-Synth ê óñèëèòåëþ (ñòð. 14) è
âêëþ÷èòå åãî ïèòàíèå (ñòð. 17).
(2) Âûáåðèòå ãðóïïó òåìáðîâ îäíîé èç ñëåäóþùèõ
êíîïîê:
(3) Íàæìèòå è óäåðæèâàéòå êíîïêó
[SHIFT]
.
(4) Óäåðæèâàÿ êíîïêó
[SHIFT]
, ââåäèòå íîìåð íóæíîé
âàðèàöèè êëàâèøàìè âåðõíåé îêòàâû
(NUMERIC KEYPAD). Ïîäòâåðäèòå ââîä, âçÿâ
ñàìóþ âûñîêóþ íîòó (ENTER).
Ïðè ââîäå îøèáî÷íîãî íîìåðà åãî ìîæíî ñòå-
ðåòü, íàæàâ êëàâèøó CANCEL, è ïîâòîðèòü ââîä
ñíîâà.
(5) Îòïóñòèòå êíîïêó
[SHIFT]
.
4. Èñïîëíåíèå íà AX-Synth
