Инструкция для BEHRINGER XENYX X1622USB

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7

XENYX X2442USB/X2222USB/X1832USB/X1622USB User Manual

Pre-fader/post-fader

When using effects on a channel signal, it is usual to have the aux send post fader 

so that the balance between effect and dry signal stays constant even when 

the channel fader is altered. If this were not the case, the effects signal of the 

channel would remain audible even when the channel fader is turned all the way 

down. For monitoring, the aux sends are generally pre-fader, i.e. they operate 

independently of the position of the channel fader.

PRE

When the PRE switch is pressed down, the associated aux send is taken pre-fader.

FX

The aux send marked FX offers a direct route to the built-in effects processor and 

is therefore post-fader and post-mute. Please refer to chapter 4 “Digital Effects 

Processor” for detailed information.

◊ 

If you are using the built-in effects processor, make sure that STEREO 
AUX RETURN 3 has nothing plugged into it (X2442USB and X2222USB), 
otherwise the internal effects return will be muted. This is not relevant 
if you use the FX OUT jack to drive an external effects device.

◊ 

X1622USB and X1832USB: On these consoles, the above note refers 
to the STEREO AUX RETURN 2 jacks as these models do not have a 
dedicated effect output.

2.1.4  Routing switch, PAN, SOLO and channel fader

X2442USB

Fig. 2.4: The panorama and routing controls and the channel fader

PAN

The 

PAN

 control determines the position of the channel signal within the stereo 

image. When working with subgroups, you can use the PAN control to assign 

the signal to just one output, which gives you additional flexibility in recording 

situations. For example, when routing to subgroups 3 and 4, panning hard left 

will route the signal to group output 3 only, and panning hard right will route to 

group output 4 only.

MUTE

The 

MUTE

 switch breaks the signal path pre-channel fader, hence muting that 

channel in the main mix. The aux sends which are set to post-fader are likewise 

muted for that channel, while the pre-fader monitor paths remain active 

irrespective of whether the channel is muted or not. 

MUTE LED

The 

MUTE LED

 indicates a muted channel. 

CLIP-LED

The 

CLIP-LED

 lights up when the input signal is driven too high. If this happens, 

back off the GAIN control and, if necessary, check the setting of the channel EQ.

SOLO

The 

SOLO

 switch is used to route the channel signal to the solo bus (Solo In Place) 

or to the PFL bus (Pre Fader Listen). This enables you to listen to a channel 

signal without affecting the main output signal. The signal you hear is taken 

either before the pan control (PFL, mono) or after the pan and channel fader 

(Solo, stereo) (cf. chap. 2.3.10 “Level meters and monitoring”).

SUB (1-2 and 3-4)

The 

SUB

 switch routes the signal to the corresponding subgroups. The X2442USB 

has 4 subgroups (1-2 and 3-4).

MAIN

The 

MAIN

 switch routes the signal to the main mix bus.

The channel fader determines the channel’s volume in the main mix (or submix).

2.2  Stereo channels

2.2.1  Channel inputs

X2222USB

X2442USB

XENYX2442FX

Fig. 2.5: The various stereo channel inputs

Each stereo channel has two balanced line level inputs on jacks for left and 

right channels. Channels 9/10 and 11/12 on the X2442USB feature an additional 

XLR microphone jack with phantom power. If only the left jack (marked “L”) 

is used, the channel operates in mono. The stereo channels are designed to 

handle typical line level signals, and, depending on model, have a level switch 

(+4 dBu or -10 dBV) and/or a line GAIN control. Both jack inputs will also accept 

unbalanced connectors.

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