![background image](/i/yamaha/115900/yamaha-clp-f01-clavinova/h/yamaha-clp-f01-clavinova-009.png)
CLP-F01
ë‚ÓÈÒÚ‚‡
9
ë‚ÓÈÒÚ‚‡
ñËÙÓ‚Ó ÔˇÌËÌÓ Yamaha Clavinova CLP-F01 Ô‰ÒÚ‡‚ÎflÂÚ ÌË Ò ˜ÂÏ Ì ҇‚ÌËÏÛ˛ ‡ÎËÒÚ˘ÌÓÒÚ¸ Á‚Û͇ Ë
‚ÓÁÏÓÊÌÓÒÚ¸ Ë„˚ ‚ ÚÂÏ·Â ÓflÎfl, ÓË„Ë̇θÌÛ˛ ÚÂıÌÓÎӄ˲ „Â̇ˆËË ÚÓ̇ ÍÓÔÓ‡ˆËË Yamaha - «AWM
Dynamic Stereo Sampling» ‰Îfl ÒÓÁ‰‡ÌËfl ̇Ò˚˘ÂÌÌ˚ı ÏÛÁ˚͇θÌ˚ı ÚÂÏ·Ó‚ Ë ÒÔˆˇθÌÛ˛, ÔÓÍ˚ÚÛ˛
‰Â‚ÓÏ Í·‚ˇÚÛÛ «Graded Hammer», ̇ ÍÓÚÓÓÈ ‚ÂÒ Ë ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚Ë¯Ë Á‡‚ËÒflÚ ÓÚ ÂÂ
‡ÒÔÓÎÓÊÂÌËfl.
íÂÏ·˚ Grand Piano 1, 2 Ë 3 ËÒÔÓθÁÛ˛Ú ÌÓ‚˚Â, Ú˘‡ÚÂθÌÓ Á‡ÔËÒ‡ÌÌ˚Â Ò˝ÏÔÎ˚ ÔÓÎÌÓ„Ó ÍÓ̈ÂÚÌÓ„Ó ÓflÎfl.
ÇÓ ‚ÂÏfl Ë„˚ Ò ÚÂÏ·ÓÏ ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ GrandPiano 1 Ë 3 ËÒÔÓθÁÛ˛ÚÒfl ÚË Ò˝ÏÔ·, Á‡‚ËÒfl˘Ëı ÓÚ
ÒÍÓÓÒÚË Ì‡Ê‡ÚËfl Í·‚˯ (‰Ë̇Ï˘ÂÒÍÓÂ Ò˝ÏÔÎËÓ‚‡ÌËÂ), ÓÒÓ·Ó «ÒÛÒÚÂÈÌ-Ò˝ÏÔÎËÓ‚‡ÌË», ÔË Ì‡Ê‡ÚËË Ì‡
Ô‡‚Û˛ Ô‰‡Î¸ ‚ÓÒÔÓËÁ‚Ó‰fl˘Â ÛÌË͇θÌ˚È ÂÁÓ̇ÌÒ ‰ÂÍË Ë ÒÚÛÌ ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔˇÌÓ, Ë «Ò˝ÏÔÎ˚
ÓÚÔÛ˘ÂÌÌÓÈ Í·‚˯˻, ÍÓÚÓ˚ ‰Ó·‡‚Îfl˛Ú ÚËıËÈ Á‚ÛÍ ÔË ÓÚÔÛÒ͇ÌËË Í·‚˯. àÌÒÚÛÏÂÌÚ˚ CLP-F01
ÔÓÁ‚ÓÎfl˛Ú χÍÒËχθÌÓ ÔË·ÎËÁËÚ¸Òfl Í Á‚Û˜‡Ì˲ ̇ÒÚÓfl˘Â„Ó ‡ÍÛÒÚ˘ÂÒÍÓ„Ó ÙÓÚÂÔ¸flÌÓ.
MASTER VOLUME
BRILLIANCE
MELLOW
BRIGHT
MIN
MAX
DEMO
METRONOME
START/STOP
TEMPO/FUNCTION
TEMPO
FUNCTION
TEMPO/OTHER VALUE
-
NO
YES
+
PRESET
USER 1
USER 2
TRACK
1
TRACK
2
START/STOP
REC
USER 3
SONG
GRAND
PIANO 1
CHURCH
ORGAN
STRINGS
E.PIANO
2
E.PIANO
1
VIBRA-
PHONE
HARPSI-
CHORD
CHOIR
E.BASS
SPLIT
VARIATION
GRAND
PIANO 2
GRAND
PIANO 3
JAZZ
ORGAN
WOOD
BASS
VOICE
GUITAR/
CLAVI.
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
DELAY
HARD
MEDIUM
SOFT
ON
REVERB
EFFECT
TOUCH
TRANSPOSE
PHONES
SPEAKER
AUX IN
AUX OUT
L/L+R
R
L/L+R
R
LEVEL FIXED
L
R
TO HOST
HOST SELECT
MIDI
MIDI
PC-2
Mac
PC-1
OFF
ON
NORMAL
(HP. SW
)
THRU
OUT
IN
MASTER VOLUME
BRILLIANCE
MELLOW
BRIGHT
MIN
MAX
DEMO
METRONOME
START/STOP
TEMPO/FUNCTION
TEMPO
FUNCTION
TEMPO/OTHER VALUE
-
NO
YES
+
PRESET
USER 1
USER 2
TRACK
1
TRACK
2
START/STOP
REC
USER 3
SONG
GRAND
PIANO 1
CHURCH
ORGAN
STRINGS
E.PIANO
2
E.PIANO
1
VIBRA-
PHONE
HARPSI-
CHORD
CHOIR
E.BASS
SPLIT
VARIATION
GRAND
PIANO 2
GRAND
PIANO 3
JAZZ
ORGAN
WOOD
BASS
VOICE
GUITAR/
CLAVI.
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
DELAY
HARD
MEDIUM
SOFT
ON
REVERB
EFFECT
TOUCH
TRANSPOSE
[METRONOME]
ìÔ‡‚ÎÂÌË ÙÛÌ͈ËflÏË
ÏÂÚÓÌÓχ (ÒÚ. 31).
[DEMO]
ÑÂÏÓÌÒÚ‡ˆËÓÌÌÛ˛ ÏÂÎÓ-
‰Ë˛ ÏÓÊÌÓ ‚ÓÒÔÓËÁ‚ÂÒÚË
‚ β·ÓÏ ÚÂÏ·Â (ÒÚ. 18).
[MASTER VOLUME]
ê„ÛÎflÚÓ „ÓÏÍÓÒÚË
(ÒÚ. 13).
[BRILLIANCE]
ê„ÛÎflÚÓ flÍÓÒÚË Á‚Û͇ (ÒÚ. 24).
è‡ÏflÚ¸ ÔˇÌËÌÓ Clavinova ÒÓ‰ÂÊËÚ 50 Á‡ÔËÒ‡ÌÌ˚ı ÔÂÒÂÌ.
ùÚ‡ ÒÂ͈Ëfl ‰‡ÂÚ ‚‡Ï ‚ÓÁÏÓÊÌÓÒÚ¸ ÒÎÛ¯‡Ú¸ ˝ÚË ÔÂÒÌË, ÛÔ‡ÊÌflÚ¸Òfl
ÔË ÔÓÏÓ˘Ë Û‰Ó·ÌÓÈ Ó·Û˜‡˛˘ÂÈ ÙÛÌ͈ËË, Á‡ÔËÒ˚‚‡Ú¸ Ë
‚ÓÒÔÓËÁ‚Ó‰ËÚ¸ ÒÓ·ÒÚ‚ÂÌÌÓ ËÒÔÓÎÌÂÌË (ÒÚ. 19–22, 32–38).
[REVERB] / [EFFECT]
ÑÓ·‡‚ÎÂÌËÂ Í Á‚ÛÍÛ Â‚Â·Â‡ˆËË
(REVERB) Ë ˝ÙÙÂÍÚÓ‚ (ÒÚ. 24, 25).
[TRANSPOSE]
à„‡fl ̇ ÚÂı Ê ҇Ï˚ı
Í·‚˯‡ı, ÏÓÊÌÓ
ÔÓ‚˚¯‡Ú¸ ËÎË ÔÓÌËʇڸ
‚˚ÒÓÚÛ Á‚Û͇ ‚ÒÂÈ
Í·‚ˇÚÛ˚ Ú‡Í, ˜ÚÓ·˚ Ó̇
ÒÓÓÚ‚ÂÚÒÚ‚Ó‚‡Î‡ ‚˚ÒÓÚÂ
Á‚Û͇ ‰Û„Ó„Ó ËÌÒÚÛÏÂÌÚ‡
ËÎË Ô‚ˆ‡ (ÒÚ. 27).
[TOUCH]
íÓÌ͇fl ̇ÒÚÓÈ͇ ˜Û‚-
ÒÚ‚ËÚÂθÌÓÒÚË Í ÒËÎÂ
̇ʇÚËfl (ÒÚ. 26).
[SPLIT]
ë ÔÓÏÓ˘¸˛ ˝ÚÓÈ ÙÛÌ͈ËË ÏÓÊÌÓ Ë„‡Ú¸ ‚ ‡ÁÌ˚ı ÚÂÏ·‡ı
Ô‡‚ÓÈ Ë Î‚ÓÈ Û͇ÏË (ÒÚ. 29).
ê‡Á˙ÂÏ ÔÓ‰Íβ˜ÂÌËfl ÒÚ‡Ì-
‰‡ÚÌ˚ı ̇ۯÌËÍÓ‚. èË Ëı
ÔÓ‰Íβ˜ÂÌËË ÓÍÛʇ˛˘Ë ÌÂ
ÛÒÎ˚¯‡Ú ‚‡¯Û Ë„Û (ÒÚ. 13).
Ç˚Íβ˜‡ÚÂθ ‚ÒÚÓÂÌ-
Ì˚ı ‰Ë̇ÏËÍÓ‚ (ÒÚ. 13).
ê‡Á˙ÂÏ ÔÓ‰Íβ˜ÂÌËfl
Ó·ÓÛ‰Ó‚‡ÌËfl
Á‚ÛÍÓÁ‡ÔËÒË (̇ÔËÏÂ
χ„ÌËÚÓÙÓ̇) ‰Îfl
Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓ„Ó
ËÒÔÓÎÌÂÌËfl (ÒÚ. 52).
ùÚÓÚ ‡Á˙ÂÏ Ë ÒÂÎÂÍ-
ÚÓÌ˚È ÔÂÂÍβ˜‡ÚÂθ
ÔÓÁ‚ÓÎfl˛Ú ̇ÔflÏÛ˛
ÔÓ‰Íβ˜‡Ú¸Òfl Í èä ‰Îfl
ÒËÌÚÂÁËÓ‚‡ÌËfl ÏÛÁ˚ÍË
Ë ‰Û„Ëı Á‡‰‡˜
(ÒÚ. 54–57).
Ç˚ıÓ‰Ì˚ ‡Á˙ÂÏ˚ ‰Îfl
ÔÓ‰Íβ˜ÂÌËfl Í Clavinova
ÛÒËÎËÚÂÎfl, ÏËͯÂÌÓ„Ó
ÔÛθڇ, ÏËÍÓÙÓ̇,
„ÓÏÍÓ„Ó‚ÓËÚÂÎfl ËÎË
Ó·ÓÛ‰Ó‚‡ÌËfl
Á‚ÛÍÓÁ‡ÔËÒË (ÒÚ. 53).
ê‡Á˙ÂÏ ÔÓ‰Íβ˜Â-
ÌËfl MIDI-ÛÒÚÓÈÒÚ‚
‰Îfl ËÒÔÓθÁÓ‚‡ÌËfl
MIDI-ÙÛÌ͈ËÈ
(ÒÚ. 47-49). (é·
ËÌÚÂÙÂÈÒÂ MIDI
➝
ÒÚ. 51)
TEMPO [
▼
] [
▲
]/FUNCTION
èË ÔÓÏÓ˘Ë ˝ÚËı ÍÌÓÔÓÍ ÏÓÊÌÓ
ËÁÏÂÌflÚ¸ ÚÂÏÔ (ÒÍÓÓÒÚ¸) ÔÂÒÌË
Ë ‚˚·Ë‡Ú¸ ÔÓÎÂÁÌ˚ ÙÛÌ͈ËË
(ÒÚ. 39–50).
äÌÓÔÍË ‚˚·Ó‡ ÚÂÏ·‡
Ç˚·Ë‡ÈÚ ËÁ 28 ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚, ‚Íβ˜‡fl
ÚÂÏ· Grand Piano (ÒÚ. 23). åÓÊÌÓ Ú‡ÍÊÂ
ËÒÔÓθÁÓ‚‡Ú¸ ‰‚‡ ÚÂÏ·‡ Ó‰ÌÓ‚ÂÏÂÌÌÓ
(ÒÚ. 28).