CLP-F01

   ì͇Á‡ÚÂθ ÔËÏÂÌÂÌËÈ

7

ì͇Á‡ÚÂθ ÔËÏÂÌÂÌËÈ

ùÚÓÚ Û͇Á‡ÚÂθ ÔÓÏÓÊÂÚ ·˚ÒÚÓ Ì‡ÈÚË ÒÚ‡Ìˈ˚ Ò ÓÔËÒ‡ÌËÂÏ ÌÂflÒÌÓ„Ó ‚ÓÔÓÒ‡.

èÓÒÎۯ˂‡ÌËÂ

èÓÒÎۯ˂‡ÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı ÔÂÒÂÌ Ò ‡ÁÌ˚ÏË ÚÂÏ·‡ÏË.................... «ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË» – 18
èÓÒÎۯ˂‡ÌË ÔÂÒÂÌ ËÁ ÒÔËÒ͇ 50 ıËÚÓ‚ ‰Îfl ÙÓÚÂÔ¸flÌÓ .......................................... «50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ» – 19
èÓÒÎۯ˂‡ÌË Á‡ÔËÒË ÒÓ·ÒÚ‚ÂÌÌÓÈ Ë„˚ ................................................. «ÇÓÒÔÓËÁ‚‰ÂÌË Á‡ÔËÒÂÈ ÔÂÒÂÌ» – 37

à„‡ ̇ Í·‚ˇÚÛÂ

àÒÔÓθÁÓ‚‡ÌË ÚÂı Ô‰‡ÎÂÈ ÛÔ‡‚ÎÂÌËfl ËÒÔÓÎÌÂÌËÂÏ........................................... «àÒÔÓθÁÓ‚‡ÌË Ô‰‡ÎÂÈ» – 23
Ç˚·Ó ÌÛÊÌÓÈ ‚˚ÒÓÚ˚ ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ ............................................. «í‡ÌÒÔÓÌËÓ‚‡ÌË — [TRANSPOSE]» – 27
Ç˚·Ó ÚËÔ‡ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚË Í·‚ˇÚÛ˚...........................«óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl — [TOUCH]» – 26
íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇ ‚ÒÂ„Ó ËÌÒÚÛÏÂÌÚ‡ 
ÔË Ë„Â Ò ‰Û„ËÏË ËÌÒÚÛÏÂÌÚ‡ÏË ËÎË ÏÛÁ˚ÍÓÈ Ò ÍÓÏÔ‡ÍÚ-‰ËÒ͇ ........... «íÓÌ͇fl ̇ÒÚÓÈ͇ ‚˚ÒÓÚ˚ Á‚Û͇» – 42

àÁÏÂÌÂÌË ÚÂÏ·Ó‚

èÓÒÏÓÚ ÒÔËÒ͇ ÚÂÏ·Ó‚ .................................................................................. «ëÔËÒÓÍ ‚ÒÚÓÂÌÌ˚ı ÚÂÏ·Ó‚» – 62
àÏËÚ‡ˆËfl ÍÓ̈ÂÚÌÓ„Ó Á‡Î‡ ............................................................................................................ «[REVERB]» – 24
ëÓ˜ÂÚ‡ÌË ‰‚Ûı ÚÂÏ·Ó‚..............................................................................«ç‡ÎÓÊÂÌË ÚÂÏ·Ó‚ (ÂÊËÏ Dual)» – 28
ê‡ÁÌ˚ ÚÂÏ·˚ ‰Îfl ΂ÓÈ Ë Ô‡‚ÓÈ ÛÍË ............................................. «ê‡Á‰ÂÎÂÌË Í·‚ˇÚÛ˚ (ÂÊËÏ Split)» – 29
ì‚Â΢ÂÌË flÍÓÒÚË ËÎË Ïfl„ÍÓÒÚË Á‚Û͇................................................................................. «[BRILLIANCE]» – 24
ÑÓ·‡‚ÎÂÌË ˝ÙÙÂÍÚ‡ ‡Ò¯ËÂÌËfl ËÎË Ì‡‡ÒÚ‡ÌËfl Ë Û·˚‚‡ÌËfl......................................................«[EFFECT]» – 25
ìÎÛ˜¯ÂÌË Á‚Û͇ ÔË ÔÓÏÓ˘Ë ˝ÙÙÂÍÚÓ‚ .................................................................................. «[VARIATION]» – 24

à„‡ ̇ Í·‚ˇÚÛÂ

éÚÍβ˜ÂÌË Á‚Û͇ ‰Îfl Ô‡ÚËË Î‚ÓÈ ËÎË Ô‡‚ÓÈ ÛÍË ................................................................................................

........................«à„‡ Ó‰ÌÓÈ ÛÍÓÈ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ (ÙÛÌ͈Ëfl ÓÚÍβ˜ÂÌËfl Ô‡ÚËÈ Ô‡‚ÓÈ Ë Î‚ÓÈ ÛÍ)» – 20

èÓ‚ÚÓ̇fl Ë„‡ Û͇Á‡ÌÌÓÈ Ù‡Á˚....................................... «îÛÌ͈Ëfl ÔÓ‚ÚÓ‡ A-B ‰Îfl 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ» – 22
à„‡ ‚ ˜ÂÚÍÓÏ, ÛÒÚÓȘ˂ÓÏ ËÚÏÂ......................................................................... «àÒÔÓθÁÓ‚‡ÌË ÏÂÚÓÌÓχ» – 31
à„‡ ÔË ÔÓÏÓ˘Ë Á‡ÔËÒ‡ÌÌÓÈ ÔÂÒÌË ........................................................ «á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl» – 32

á‡ÔËÒ¸

á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl.............................................................. «á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl» – 32

ç‡ÒÚÓÈÍË

ê„ÛÎËӂ͇ ̇ÒÚÓÂÍ ÔˇÌËÌÓ Clavinova .......................................................... «ç‡ÒÚÓÈÍË — [FUNCTION]» – 39

èÓ‰Íβ˜ÂÌË ˆËÙÓ‚Ó„Ó ÔˇÌËÌÓ Clavinova Í ‰Û„ËÏ ÛÒÚÓÈÒÚ‚‡Ï

óÚÓ Ú‡ÍÓ MIDI ............................................................................................................... «é· ËÌÚÂÙÂÈÒ MIDI» – 51
á‡ÔËÒ¸ ÒÓ·ÒÚ‚ÂÌÌÓ„Ó ËÒÔÓÎÌÂÌËfl......................................................................................«ê‡Á˙ÂÏ˚ AUX OUT» – 52
ì‚Â΢ÂÌË „ÓÏÍÓÒÚË........................................................................................................«ê‡Á˙ÂÏ˚ AUX OUT» – 52
Ç˚‚Ó‰ Á‚ÛÍÓ‚ ‰Û„Ëı ËÌÒÚÛÏÂÌÚÓ‚ ̇ ÔˇÌËÌÓ Clavinova ................................................. «ê‡Á˙ÂÏ˚ AUX IN» – 53
èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ ...............................................................................«èÓ‰Íβ˜ÂÌËÂ Í ÍÓÏÔ¸˛ÚÂÛ» – 54

ë·Ó͇

ë·Ó͇ Ë ‡Á·Ó͇ ÔˇÌËÌÓ Clavinova............................................................................................. «ë·Ó͇» – 59-61