![background image](/i/yamaha/115900/yamaha-clp-f01-clavinova/h/yamaha-clp-f01-clavinova-019.png)
CLP-F01
50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ
19
50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ
Ç Ô‡ÏflÚË Clavinova ÒÓ‰ÂÊËÚÒfl 50 ÔÂÒÂÌ ‰Îfl ÙÓÚÂÔ¸flÌÓ. ùÚË ÔÂÒÌË ÏÓÊÌÓ ÔÓÒÚÓ ÒÎÛ¯‡Ú¸ (ÒÚ. 19)
ËÎË ËÒÔÓθÁÓ‚‡Ú¸ ‰Îfl ÛÔ‡ÊÌÂÌËÈ (ÒÚ. 20). åÓÊÌÓ Ú‡ÍÊ ӷ‡ÚËÚ¸Òfl Í ÔË·„‡ÂÏÓÏÛ Ò·ÓÌËÍÛ
«50 greats for the Piano» Ò ÌÓÚ‡ÏË 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ.
1
ÇÍβ˜ÂÌË ÂÊËχ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ.
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ, ̇ÊÏËÚ ÍÌÓÔÍÛ
[PRESET]
.
ᇄÓflÚÒfl Ë̉Ë͇ÚÓ˚
[PRESET]
,
[TRACK 1]
Ë
[TRACK 2]
.
2
ÇÓÒÔÓËÁ‚‰ÂÌË β·ÓÈ ËÁ 50 ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ.
2-1
ç‡ÊËχÈÚ ÍÌÓÔÍË
[–/NO]
,
[+/YES]
, ˜ÚÓ·˚
‚˚·‡Ú¸ ÌÓÏ ÏÂÎÓ‰ËË, ÍÓÚÓÛ˛ ıÓÚËÚÂ
‚ÓÒÔÓËÁ‚ÂÒÚË (ÌÓÏ ÔÓfl‚ËÚÒfl ̇ Ò‚ÂÚÓ‰ËÓ‰ÌÓÏ
Ë̉Ë͇ÚÓÂ).
1
––––
50:
ÇÓÒÔÓËÁ‚‰ÂÌË ÚÓθÍÓ ÔÂÒÌË Ò
‚˚·‡ÌÌ˚Ï ÌÓÏÂÓÏ.
ALL:
èÓÒΉӂ‡ÚÂθÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı
‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ.
rnd:
çÂÔÂ˚‚ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‚ÒÂı ‚ÒÚÓÂÌÌ˚ı
ÔÂÒÂÌ ‚ ÒÎÛ˜‡ÈÌÓÏ ÔÓfl‰ÍÂ.
2-2
óÚÓ·˚ ̇˜‡Ú¸ ‚ÓÒÔÓËÁ‚‰ÂÌËÂ, ̇ÊÏËÚ ÍÌÓÔÍÛ
SONG [START/STOP]
.
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË
ÑÎfl ̇ÒÚÓÈÍË „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ „ÛÎflÚÓ
[MASTER VOLUME]
.
ç‡ÒÚÓÈ͇ ÚÂÏÔ‡
ÑÎfl ̇ÒÚÓÈÍË ÚÂÏÔ‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl
ÏÓÊÌÓ ËÒÔÓθÁÓ‚‡Ú¸ ÍÌÓÔÍË
[TEMPO/
FUNCTION#
▼
▲
]
. é·˚˜Ì˚È ÚÂÏÔ
ÏÓÊÌÓ ‚ÓÒÒÚ‡ÌÓ‚ËÚ¸, ̇ʇ‚ Ó‰ÌÓ‚Â-
ÏÂÌÌÓ ÍÌÓÔÍË [
▼
] Ë [
▲
].
3
éÒÚ‡Ìӂ͇ ‚ÓÒÔÓËÁ‚‰ÂÌËfl.
ÇÓÒÔÓËÁ‚‰ÂÌË ‡‚ÚÓχÚ˘ÂÒÍË
Á‡Í‡Ì˜Ë‚‡ÂÚÒfl ÔÓÒΠÁ‡‚¯ÂÌËfl ‚˚·‡ÌÌÓÈ ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË.
óÚÓ·˚ ÓÒÚ‡ÌÓ‚ËÚ¸ ÔÂÒÌ˛ ‚Ó ‚ÂÏfl ‚ÓÒÔÓËÁ‚‰ÂÌËfl (ËÎË ÌÂÔÂ˚‚-
ÌÓ„Ó ‚ÓÒÔÓËÁ‚‰ÂÌËfl), ̇ÊÏËÚ ÍÌÓÔÍÛ
SONG [START/STOP]
.
•
ä‡Í Á‡ÔÛÒÚËÚ¸ ÌÂÔÂ˚‚ÌÓ ‚ÓÒÔÓËÁ‚‰ÂÌË ‰Û„ÓÈ ÔÂÒÌË, ÓÔËÒ‡ÌÓ
‚˚¯Â ‚ ÔÛÌÍÚÂ
2
.
MASTER VOLUME
BRILLIANCE
MELLOW
BRIGHT
MIN
MAX
DEMO
METRONOME
START/STOP
TEMPO/FUNCTION
TEMPO
FUNCTION
TEMPO/OTHER VALUE
-
NO
YES
+
PRESET
USER 1
USER 2
TRACK
1
TRACK
2
START/STOP
REC
USER 3
SONG
GRAND
PIANO 1
CHURCH
ORGAN
STRINGS
E.PIANO
2
E.PIANO
1
VIBRA-
PHONE
HARPSI-
CHORD
CHOIR
E.BASS
SPLIT
VARIATION
GRAND
PIANO 2
GRAND
PIANO 3
JAZZ
ORGAN
WOOD
BASS
VOICE
GUITAR/
CLAVI.
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
DELAY
HARD
MEDIUM
SOFT
ON
REVERB
EFFECT
TOUCH TRANSPOSE
1 4
3
-1
2
2
-2
ÑÂÈÒÚ‚Ëfl
èêàåÖóÄçàÖ
êÂÊËÏ ‚ÒÚÓÂÌÌ˚ı ÔÂÒÂÌ ÌÂθÁfl
‚Íβ˜ËÚ¸ ‚ ÂÊËÏ ‰ÂÏÓÌÒÚ‡-
ˆËË (ÒÚ. 18), ‚ÓÒÔÓËÁ‚‰ÂÌËfl
(ÒÚ. 37) ËÎË Á‡ÔËÒË ÔÂÒÌË
ÔÓθÁÓ‚‡ÚÂÎfl (ÒÚ. 32).
íÖêåàçéãéÉàü
èÂÒÌfl
— ‚ CLP-F01 ÔÂÒÌÂÈ
̇Á˚‚‡˛ÚÒfl ‰‡ÌÌ˚ ËÒÔÓÎÌfl-
ÂÏÓ„Ó ÔÓËÁ‚‰ÂÌËfl. ùÚÓ Ú‡ÍÊÂ
ÓÚÌÓÒËÚÒfl Í ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚Ï
Ë ‚ÒÚÓÂÌÌ˚Ï ÏÂÎÓ‰ËflÏ.
ä ëÇÖÑÖçàû
é‰ÌÓ‚ÂÏÂÌÌÓ Ò ‚ÓÒÔÓËÁ‚‰Â-
ÌËÂÏ ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË ÏÓÊÌÓ
Ë„‡Ú¸ ̇ Í·‚˯‡ı. åÓÊÌÓ ËÁ-
ÏÂÌËÚ¸ ÚÂÏ· ‰Îfl Í·‚ˇÚÛ˚.
ä ëÇÖÑÖçàû
åÓÊÌÓ Ì‡ÒÚÓËÚ¸ flÍÓÒÚ¸ (ÒÚ. 24)
Ë ÚËÔ Â‚Â·Â‡ˆËË (ÒÚ. 24) ‰Îfl
ÚÂÏ·‡ Í·‚ˇÚÛ˚ Ë ‚ÓÒÔÓËÁ‚Â-
‰ÂÌËfl ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË. ÑÎfl
ÚÂÏ·‡ ÏÓÊÌÓ ËÁÏÂÌflÚ¸ Ë ÚËÔ
˝ÙÙÂÍÚ‡ (ÒÚ. 25), Ë ˜Û‚ÒÚ‚ËÚÂθ-
ÌÓÒÚ¸ Í ÒËΠ̇ʇÚËfl (ÒÚ. 26).
èêàåÖóÄçàÖ
èË ‚˚·Ó ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË
ËÎË ÔË Ì‡˜‡Î ‚ÓÒÔÓËÁ‚Â-
‰ÂÌËfl ÌÓ‚ÓÈ ‚ÒÚÓÂÌÌÓÈ ÔÂÒÌË
‚ ÂÊËÏÂ «ALL» ËÎË «rnd»
‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡-
ÂÚÒfl ÚÂÏÔ ÔÓ ÛÏÓΘ‡Ì˲ «---».
èêàåÖóÄçàÖ
ÖÒÎË ‚˚·‡Ì‡ ‰Û„‡fl ÔÂÒÌfl (ËÎË
‰Û„‡fl ÔÂÒÌfl ‚˚·‡Ì‡ ‚Ó ‚ÂÏfl
‚ÓÒÔÓËÁ‚‰ÂÌËfl
ÔÓÒΉӂ‡ÚÂθÌÓÒÚË ÔÂÒÂÌ),
ÒÓÓÚ‚ÂÚÒÚ‚ÂÌÌÓ ·Û‰ÂÚ ‚˚·‡Ì
ÔÓ‰ıÓ‰fl˘ËÈ ÚËÔ Â‚Â·Â‡ˆËË.
ÌÓÏÂ ÔÂÒÌË
ùÚÓ ‚˚Á˚‚‡ÂÚ ÓÚÌÓÒËÚÂθÌÓ ËÁÏÂÌÂÌËÂ
ÚÂÏÔ‡ ‚ ‰Ë‡Ô‡ÁÓÌ ÓÚ «–50» ˜ÂÂÁ «---»
‰Ó «50» (χÍÒËχθÌÓ); ‰Ë‡Ô‡ÁÓÌ
Á‡‚ËÒËÚ ÓÚ ‚˚·‡ÌÌÓÈ ÔÂÒÌË.