CLP-F01
ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË
18
ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË
ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË Ô‰̇Á̇˜ÂÌ˚ ‰Îfl ‰ÂÏÓÌÒÚ‡ˆËË ‚ÒÂı ÚÂÏ·Ó‚ ÔˇÌËÌÓ CLP-F01.
1
ÇÍβ˜ÂÌË ÔËÚ‡ÌËfl.
(ÖÒÎË ÔËÚ‡ÌË ¢ Ì ‚Íβ˜ÂÌÓ.) ç‡ÊÏËÚ ÍÌÓÔÍÛ
[POWER]
.
ÖÒÎË ÔËÚ‡ÌË ‚Íβ˜ÂÌÓ, ‰ÓÎÊÂÌ „ÓÂÚ¸ Ó‰ËÌ ËÁ Ò‚ÂÚÓ‰ËÓ‰Ì˚ı
Ë̉Ë͇ÚÓÓ‚ ÍÌÓÔÓÍ ÚÂÏ·‡.
ìÒÚ‡ÌÓ‚ËÚ „ÛÎflÚÓ
[MASTER VOLUME]
ÔËÏÂÌÓ ÔÓÒ‰ËÌÂ,
ÏÂÊ‰Û ÓÚÏÂÚ͇ÏË «MIN» Ë «MAX». 燘‡‚ Ë„Û, ÛÒÚ‡ÌÓ‚ËÚÂ
„ÛÎflÚÓÓÏ
[MASTER VOLUME]
ÓÔÚËχθÌÛ˛ „ÓÏÍÓÒÚ¸.
2
ÇÍβ˜ÂÌË ÂÊËχ ‰ÂÏÓÌÒÚ‡ˆËË.
óÚÓ·˚ ‚Íβ˜ËÚ¸ ÂÊËÏ ‰ÂÏÓÌÒÚ‡ˆËË, ̇ÊÏËÚ ÍÌÓÔÍÛ
[DEMO]
.
à̉Ë͇ÚÓ˚ ÍÌÓÔÓÍ ÚÂÏ·Ó‚ ·Û‰ÛÚ ÔÓÒΉӂ‡ÚÂθÌÓ ÏË„‡Ú¸.
3
ÇÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡.
ÑÎfl ̇˜‡Î‡ ‚ÓÒÔÓËÁ‚‰ÂÌËfl ‚ÒÂı ÔÂÒÂÌ Ò ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÏÂÎÓ‰ËË
‰Îfl ÓÔ‰ÂÎÂÌÌÓ„Ó ÚÂÏ·‡ ̇ÊÏËÚ ÍÌÓÔÍÛ ˝ÚÓ„Ó ÚÂÏ·‡.
(ÖÒÎË Ì‡Ê‡Ú¸ ÍÌÓÔÍÛ
SONG
[START/STOP]
, ‡ ÌÂ ÍÌÓÔÍÛ ÚÂÏ·‡,
̇˜ÌÂÚÒfl ‚ÓÒÔÓËÁ‚‰ÂÌË ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÈ ÏÂÎÓ‰ËË ‰Îfl ÚÂÏ·‡
GRAND PIANO 1.)
ç‡ÒÚÓÈ͇ „ÓÏÍÓÒÚË Ë flÍÓÒÚË Á‚Û͇
ÑÎfl ËÁÏÂÌÂÌËfl „ÓÏÍÓÒÚË ËÒÔÓθÁÛÈÚ „ÛÎflÚÓ
[MASTER VOLUME]
,
‡ ‰Îfl ËÁÏÂÌÂÌËfl flÍÓÒÚË —
[BRILLIANCE]
4
éÒÚ‡Ìӂ͇ ‰ÂÏÓÌÒÚ‡ˆËË ÚÂÏ·‡.
ÑÎfl ÓÒÚ‡ÌÓ‚ÍË ‚ÓÒÔÓËÁ‚‰ÂÌËfl ̇ÊÏËÚ ÍÌÓÔÍÛ
SONG [START/STOP]
ËÎË ÍÌÓÔÍÛ ‚ÓÒÔÓËÁ‚Ó‰ËÏÓ„Ó ÚÂÏ·‡.
5
Ç˚ıÓ‰ ËÁ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓ„Ó ÂÊËχ.
óÚÓ·˚ ‚ÂÌÛÚ¸Òfl Í Ó·˚˜ÌÓÏÛ ÂÊËÏÛ, ̇ÊÏËÚ ÍÌÓÔÍÛ
[DEMO]
.
à̉Ë͇ÚÓ˚ ÍÌÓÔÓÍ ÚÂÏ·Ó‚ ÔÂÂÒÚ‡ÌÛÚ ÔÓÒΉӂ‡ÚÂθÌÓ ÏË„‡Ú¸.
MASTER VOLUME
BRILLIANCE
MELLOW
BRIGHT
MIN
MAX
DEMO
METRONOME
START/STOP
TEMPO/FUNCTION
TEMPO
FUNCTION
TEMPO/OTHER VALUE
-
NO
YES
+
PRESET
USER 1
USER 2
TRACK
1
TRACK
2
START/STOP
REC
USER 3
SONG
GRAND
PIANO 1
CHURCH
ORGAN
STRINGS
E.PIANO
2
E.PIANO
1
VIBRA-
PHONE
HARPSI-
CHORD
CHOIR
E.BASS
SPLIT
VARIATION
GRAND
PIANO 2
GRAND
PIANO 3
JAZZ
ORGAN
WOOD
BASS
VOICE
GUITAR/
CLAVI.
ROOM
HALL 1
HALL 2
STAGE
CHORUS
PHASER
TREMOLO
DELAY
HARD
MEDIUM
SOFT
ON
REVERB
EFFECT
TOUCH TRANSPOSE
3
4
2 5
ÑÂÈÒÚ‚Ëfl
ä ëÇÖÑÖçàû
ëÔËÒÓÍ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı
ÔÂÒÂÌ Ô˂‰ÂÌ Ì‡ ÒÚ. 64.
èêàåÖóÄçàÖ
èË ‰ÂÏÓÌÒÚ‡ˆËË ÔÂÒÂÌ ÔËÂÏ
MIDI-‰‡ÌÌ˚ı Ì‚ÓÁÏÓÊÂÌ.
ÑÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÔÂÒÌË Ì ÔÂ-
‰‡˛ÚÒfl ˜ÂÂÁ ‡Á˙ÂÏ˚ MIDI.
èêàåÖóÄçàÖ
ÑÂÏÓÌÒÚ‡ˆË˛ ÔÂÒÂÌ ÌÂθÁfl
‚˚Á‚‡Ú¸, ÂÒÎË Ë‰ÂÚ Á‡ÔËÒ¸
(ÒÚ. 32) ËÎË ‚ÓÒÔÓËÁ‚‰ÂÌËÂ
ÔÂÒÂÌ ÔÓθÁÓ‚‡ÚÂÎfl (ÒÚ. 37).
íÖêåàçéãéÉàü
êÂÊËÏ
— ÒÓÒÚÓflÌËÂ, ‚ ÍÓÚÓÓÏ
ÏÓÊÌÓ ‚˚ÔÓÎÌËÚ¸ ÓÔ‰ÂÎÂÌ-
ÌÛ˛ ÙÛÌÍˆË˛. Ç ÂÊËÏÂ
‰ÂÏÓÌÒÚ‡ˆËË ÏÓÊÌÓ ÒÎÛ¯‡Ú¸
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ ÏÂÎÓ‰ËË.
èêàåÖóÄçàÖ
íÂÏÔ ‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı
ÏÂÎÓ‰ËÈ ËÁÏÂÌflÚ¸ ÌÂθÁfl.
Ç ‰ÂÏÓÌÒÚ‡ˆËÓÌÌÓÏ ÂÊËÏÂ
ÌÂθÁfl ËÒÔÓθÁÓ‚‡Ú¸ ÙÛÌÍˆË˛
ÓÚÍβ˜ÂÌËfl Ô‡ÚËË (ÒÚ. 47) Ë
ÙÛÌÍˆË˛ ÔÓ‚ÚÓ‡ A–B (ÒÚ. 22).
èêàåÖóÄçàÖ
åÓÊÌÓ ÔÓÒÎۯ˂‡Ú¸
‰ÂÏÓÌÒÚ‡ˆË˛ ÚÂÏ·Ó‚
ÙÓÚÂÔ¸flÌÓ Ò ‡Á΢Ì˚ÏË
˝ÙÙÂÍÚ‡ÏË, ̇ʇ‚ ÍÌÓÔÍÛ
[VARIATION]
, ‡ Á‡ÚÂÏ ÍÌÓÔÍÛ
ÌÛÊÌÓ„Ó ÚÂÏ·‡. èÓÎÌ˚È ÒÔËÒÓÍ
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Á‚ÛÍÓ‚ Ò
‡Á΢Ì˚ÏË ˝ÙÙÂÍÚ‡ÏË ‰Îfl
ÙÓÚÂÔ¸flÌÓ Ì‡ıÓ‰ËÚÒfl ‚
‡Á‰ÂΠ«éÔËÒ‡ÌËÂ
‰ÂÏÓÌÒÚ‡ˆËÓÌÌ˚ı Á‚ÛÍÓ‚ ‰Îfl
ÚÂÏ·‡ ÙÓÚÂÔ¸flÌÓ» ̇ ÒÚ. 64.