Инструкция для Line 6 POD 2.0

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M

ODELED

 A

MPS

 & C

ABS

:  

W

HICH

 A

MPS

 

AND

 C

ABS

 A

RE

 M

ODELED

?

4 • 2

Line 6 Crunch -

 

Our “boutique” sound. Not too clean, but not too raging. 

We spent some time with a rare Dumble combo, and picked up a few tricks from it 
to put together this tone. Great for modern blues or jazz, this sound should be like 
a fine cognac, smooth and warm going down, but with a nice kick. The

 

Mid

 

control is located before the Amp Model’s

 

Drive

, but the

 

Bass

 

and

 

Treble

 

controls are placed after the Drive for maximum range.

Line 6 Drive -

 

Our version of the modern, super-saturated, high gain, lead 

amp; smooth, yet biting. All the tone controls here are post-Amp Model for 
maximum control with minimum muddiness. Again, this unique overdrive tone 
was created by merging different tone-shaping elements from different high-gain 
amps. It’s like playing through a collection of amps simultaneously – a studio 
technique that has made possible some of the greatest guitar tones of modern 
recordings (Line 6 Layer builds on this idea with even more versatility). With 
POD, you can get this same kind of rich, multi-amp tone out of one combo, a feat 
that wouldn’t be possible with traditional guitar amps.

Line 6 Layer -

 

Line 6 Clean meets Line 6 Drive. As we’ve already 

mentioned, many guitarists and producers have experimented with running 
multiple amps simultaneously, with each amp making a contribution to the overall 
tone. Stevie Ray Vaughn, for example, would split his guitar signal to drive a 
Marshall, Fender Vibroverb, and Dumble Steel String Singer simultaneously to get 
some of the great sounds on his records. This Amp Model was produced by 
superimposing a “traditional” clean guitar tone and a particularly tweaked-up 
variant of the Line 6 Drive. The 

Drive

 knob acts as a blender control – fully left 

you’ve got big bottom 21st Century Clean, and fully right you’ve got paint-peeling 
Ultra-drive. Set it anywhere in between, and you get to have your cake and smear 
it all over your audience, too. 

Small Tweed  - 

Modeled after a 1952 “wide panel” Fender Tweed Deluxe, this 

Amp Model will snarl with the best of them. The original amp had only a single 
tone control, essentially a Treble roll off. We set up the 

Treble

 knob to give you 

this Treble roll off when using this Amp Model. Which left us with the 

Bass

 and 

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